Since getting back from our India/Sri Lanka trip, I managed to keep a sense of openness and forward-thinking, for a while, anyway. That’s the essence of good travel – saying yes to opportunity when it strikes. With this attitude comes great reward, and this definitely applies to life in general. Personally, I find it hard to remember, even as it’s yielded wonderful adventures. During our time in India and Sri Lanka, we vacillated between openness and being closed — the effect of wary travel, having encountered one tout too many. Still, on balance, I came back to SF with few expectations or plans, just a general sense that things would be just fine.
And they certainly have been. I serendipitously found programming work right away, which was a great relief financially. However, I have been struggling all year to find time to edit photos from our trip. I don’t know about you, but editing photos is very time-consuming for me: I have attachments not only to the photos and memories, but also to the final product. I want my photos to be good, and my travel photo sets are not just a photo diary, but also, hopefully, a source of keepers.
This photo of Mumbaikars hanging out on Chowpatty beach, stood out to me right away. In a bustling city, full of traffic, noise and people, some serenity can be found looking out onto the water. In truth, that serenity is short-lived: the beach is crowded with families, and the view is spoiled with litter. Photographs seldom convey the whole story – if they did, they’d be boring, wouldn’t they? After all, even the best reportage images raise questions.
As I continue my photographic journey, I’ve been looking for inspiration in artists I admire: Steve McCurry, David Alan Harvey, not to mention dozens of talented folks on the web. More and more I am able to appreciate and develop a style, to look for subtleties in my work, mystery, edge; to go beyond the simple photos. There is, of course, a clear line between travelogue and portfolio. The former helps viewers relive a journey, whereas the latter is what you will, hopefully, be remembered for.
Fortunately, I have so far been very pleased with the selects I’ve gotten from my trip. They have helped me refine my style, and complement my earlier work. The photo above was one of ten photos I displayed this summer at my very first show at RayKo, a group show aptly named Into… The exercise of putting together a show was quite useful in finding a voice, describing my work, and finding threads within it. I should also like to extend my gratitude to my wonderful fellow artists, and, of course, the instructor of the Artist’s Toolkit course, Sita Bhaumik.
As those beachgoers look into the distance, I look back at what this year has and will be bringing: a new job, some measured success in my own photography, and the very best gift of all: impending fatherhood.
I’ve been very blessed in 2010. I hope you have, too.